Introduction
"The only true voyage of discovery…would be not to visit strange lands but to possess other eyes, to behold the universe through the eyes of another, of a hundred others, to behold the hundred universes that each of them beholds." – Marcel Proust (1923)
When the novelist Marcel Proust wrote this passage, he was describing the way art can serve as a lens that allow us to see the world through an artist’s eyes. Proust imagined that every artist, and in fact, every person, harbored their own unique and private world behind their eyes. Paint and music, he thought, were the best bridges to traverse these worlds.
In a psychological and biological sense, Proust was entirely correct. Every person perceives the world slightly differently because each person is biologically different. Small changes in the morphology and physiology of our sense organs means that we each take in slightly different information about the world around us. Even if we were all working with the same inputs--looking through the exact same eyes and hearing with identical ears--differences in our neurological system and psychology would lead to differences in our perception of those inputs.
The Dress Debate
Image: This picture inspired endless debate: is the dress white and gold or black and blue? Image from The Independent.
As an experiment, ask someone to take a look at the image of the dress above and tell you what colors they see. Even when viewed on the same computer screen, two people can see very different dress colors. Understanding that the differences in perception are biologically mediated allows us to look for deeper explanations as to why and how our perception differ. For instance, one explanation for the dress debacle is in the way our brains evolved to use the hue of the sky to estimate the time of day (warmer tones indicate morning and evening, while cooler tones dominate midday and dusk/dawn) and our psychological preference for warmer and cooler lighting (Lafer-Sousa et al., 2015).
A Proustian walk...
By imagining that we can see through the eyes of others, we can take a Proustian walk through the world. For instance, try to imagine the world through the eyes of a person with dichromatic colorblindness. Dichromatism is a genetic condition that depresses or disallows function in one of the three retinal cones present in human eyes (learn more about the evolution of human eyes)(Neitz and Neitz, 2011; Sharpe et al., 1999). This means that dichromats have a hard time discerning similar colors in the visual spectrum (learn more about the physics of sight), especially between shades of green and red which look more like a single color (Álvaro et al., 2015). Check out the slide below to compare tetracrhomatic and dichromatic vision.
The Ishihara Test for color blindness involves identifying numbers and patterns in images designed to contrast in trichromatic vision, but not dichromatic vision. Typical dichromats perceive the circles in at least one of the images above as uniform in color and cannot see the number within. Use the slider to compare typical vision to color-blind vision. You can take an online version of the Ishihara Test here.
As difficult as it may be, really try to see the world with dichromatic color perception. Imagine walking into a clothing store with racks of color-coded shirts wherein blue and orange shirts are indistinguishable. Or, imagine looking up at the bright multicolored lights and ornaments on the holiday tree in Times Square, but all reds and greens appear the same shade. It is likely easier to imagine the compression of discrete colors as in these examples, but now take a look around the room you are in or out the window--it is probably difficult to imagine the whole world without differentiation between reds and greens or blues and oranges.
Taking a step further...
Taking yet another Proustian step, try imaging the world without sight at all.
Erik Weihenmayer lost his sight as teenager, yet as an adult, he became the first and only blind person to climb the tallest mountain on every continent (including Mt. Everest) and paddled his own kayak the length of the Grand Canyon. During these adventures, he ‘saw’ the world in a very real way. In the absence of visual input, the signal from other senses can co-opt the visual cortex, allowing blind folks to ‘see’ the world in sound and touch (Gori et al., 2017). As Weihenmayer put it in an interview, “I’m listening to things, I’m touching things. And that’s actually… creating pictures in my brain... I am envisioning it in my brain.”
It is probably difficult for any of us to truly imagine ourselves on the icy flank of Mt. Everest or the riotous white-water of the Grand Canyon with our own senses. It is almost impossible to imagine ‘seeing’ these worlds as Weihenmayer does, without any visual perception at all.
Perception is a complex and highly integrated process, and unfortunately, we have no means to swap ourselves into another’s brain. So, we are stuck using inference to imagine the world through other eyes. As we take more steps along the Proustian pathway into visual systems increasingly more dissimilar from our own, our ability to infer similarity begins to break down. In the same way, our ability to comprehend the quality of vision in other organisms wanes as we move farther away from the human eye in the tree of life, from gorilla, to deer, to frogs, to fish (for instance, it is impossible to comprehend the world of deepsea Cyema that see, not light waves, but electric fields and pressure waves (Meyer-Rochow, 1978)!).
Like Proust proclaimed, imagining the world through the eyes of other people opens up the beauty, diversity, and enchantment of other worlds; but, seeing the natural world through other eyes of other living creatures can open up a richer understanding of ecology and evolutionary history.
In this project, we will take a Proustian stroll to see the same forest through the eyes of a few of its animal inhabitants: deer, hawk, sparrow, frog, and fish. In doing so, we will gain a fuller understanding of those animals and how their vision relates to their ecological role.
References:
Álvaro, L., Moreira, H., Lillo, J., and Franklin, A. (2015). Color preference in red-green dichromats. Proc. Natl. Acad. Sci. U. S. A. 112, 9316–9321.
Gori, M., Cappagli, G., Baud-Bovy, G., and Finocchietti, S. (2017). Shape Perception and Navigation in Blind Adults. Front. Psychol. 8, 10.
Lafer-Sousa, R., Hermann, K. L., and Conway, B. R. (2015). Striking individual differences in color perception uncovered by “the dress” photograph. Curr. Biol. 25, R545–6.
Meyer-Rochow, V. B. (1978). Skin papillae as possible electroreceptors in the deep-sea eel Cyema atrum (Cyemidae: Anguilloidei). Mar. Biol. 46, 277–282.
Neitz, J., and Neitz, M. (2011). The genetics of normal and defective color vision. Vision Res. 51, 633–651.
Proust, M. 1923. Remembrance of Things Past, V. The Captive [La Prisonnière, V. À la Recherche du temps perdu]. Translated by C.K. Scott Moncrieff. Project Gutenberg, Australia. Updated March 2014. Access [link].
Sharpe, L. T., Stockman, A., Jägle, H., and Nathans, J. (1999). Opsin genes, cone photopigments, color vision, and color blindness. Color vision: From genes to perception 351.